A wedding venue is prepared before the day. That is true of every one where I work, and it is what these pages describe, from the photographer's side rather than the brochure's.
What gets scouted beforehand comes down to three things. Access first: the last few kilometres and the entrances to a property are rarely the quickest, and an arrival that has not been anticipated eats into the reportage. Then moving around inside, because an estate is crossed on foot, with equipment, and the distance between the ceremony and the drinks reception is counted in real minutes. And the light, which changes completely from one end of the same estate to the other and according to the hour: a courtyard at midday and that same courtyard at seven in the evening are two different places.
That scouting happens before the wedding, so that on the day there is nothing left to think about. It is the invisible part of the work, and it is what leaves room for everything else.
Five Monaco venues and five Riviera venues are also gathered on two pages, the best destination wedding venues in Monaco and in the French Riviera.
The pages below carry the detail of each venue. They say what the ground imposes, never what the venue offers: conditions, hours and capacities belong to the estate, they change, and it is for the estate to give them.
Documentary wedding photographer at Hotel Cap Estel, Èze-Bord-de-Mer: terraces, gardens, infinity pool and private beach. Reportage by Lawrence Banahan.
A wedding at the Carlton Cannes, photographed as documentary: Dalmas and his cupolas, the Belle Époque Grand Salon, the sea-view suites and the Croisette.
A wedding at the Castel Bay, photographed as documentary: the Belle Époque house above the Almanarre, the south-facing amphitheatre and golden light on the bay.
Documentary wedding photographer at Château de Berne, Flayosc: wine estate, vineyards and the Var hinterland. By Lawrence Banahan.
Documentary wedding photographer at Château de Castellaras, Mouans-Sartoux: architecture, views over the hinterland and the Mediterranean. By Lawrence Banahan.
A wedding at the Château des Anglades, photographed as documentary: the century-old palm avenue, the old gate, the green shutters and low light over the vines.
Documentary wedding photographer at Château du Font du Broc, Les Arcs-sur-Argens: wine estate, olive grove and vineyards. By Lawrence Banahan.
A wedding at the Château Pas du Cerf, photographed as documentary: the cypress-lined entrance, the upper garden at sunset, golden vines and the lake at dusk.
Documentary wedding photographer at Château Saint-Georges, Grasse: gardens, gloriette, indoor pool and covered fallback. By Lawrence Banahan.
A wedding at the Domaine de la Baratonne, photographed as documentary: the east-facing glasshouse, the formal garden, the plane trees and a bastide of 1735.
Documentary wedding photographer at Domaine de Saint Louis, Lorgues: seventeenth-century bastide, century-old plane trees and the Argens. By Lawrence Banahan.
A wedding at the Domaine de Sigalous, photographed as documentary: morning louvres, century-old oaks, autumn vines and the blue hour on the terrace, at La Crau.
A wedding at the Domaine des Gueules Cassées, photographed as documentary: ochre and green, the chapel, the orange tree avenue at sunset and the west terraces.
Documentary wedding photographer at La Bastide des Adrets, formerly Auberge des Adrets, in the heart of the Estérel. Reportage by Lawrence Banahan.
A wedding at La Magnanerie de Saint-Isidore, photographed as documentary: the plane tree avenue at sunset, the vaults of a former silk mill and composed light.
Documentary wedding photographer at the Palais Bulles in Théoule-sur-Mer: the Antti Lovag architecture, the amphitheatre and the gardens above the Estérel.